Judul | Film and The Law / Steve Greenfield |
Pengarang | Greenfield, Steve |
Penerbitan | London : Routledge, 2001 |
Deskripsi Fisik | XI, 243 hlm ; 23 cm ;23 cm |
ISBN | 1 - 85941 - 639 - X |
Subjek | Kebudayaan - Film |
Abstrak | Film and Law is concerned with the phenomena of films about law, lawyers and justice. These have a long and distinguished history ranging from the classic young Mr Lincoln in 1939 to the contemporary Erin Brockovich. The book examines the major theoretical perspectives within which 20 th century work on law and film has appeared and analyses the proble of how law films can be classified. It provides a critical review of the work produced to date before proceeding to analyse the general featires and ideologi of law films. Apart from reviewing the way law and lawyers are portrayed in film generally, the book covers areas such asthe use of true stories as the basis for film, the limited portrayals of judges and juries and the role of what we have termed 'invisible lawyers'. In addition, the influence of film noir and particularly private ates is examined along with an analysis of the shifting spaces in which justice is delivered. Film and law concludes by examining future development for film and the law and how its future terrain might be mapped. |
Catatan | Indeks : Index Bibliography |
Bahasa | Inggris |
Bentuk Karya | Tidak ada kode yang sesuai |
Target Pembaca | Tidak ada kode yang sesuai |
No Barcode | No. Panggil | Akses | Lokasi | Ketersediaan |
---|---|---|---|---|
00000000817 | 344.09 GRE f | Dapat dipinjam | Perpustakaan Lantai 3 - Mahkamah Konstitusi RI | Tersedia
pesan |
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100 | 0 | # | $a Greenfield, Steve |
245 | 1 | # | $a Film and The Law /$c Steve Greenfield |
260 | # | # | $a London :$b Routledge,$c 2001 |
300 | # | # | $a XI, 243 hlm ; 23 cm ; $c 23 cm |
500 | # | # | $a Indeks : Index |
504 | # | # | $a Bibliography |
520 | # | # | $a Film and Law is concerned with the phenomena of films about law, lawyers and justice. These have a long and distinguished history ranging from the classic young Mr Lincoln in 1939 to the contemporary Erin Brockovich. The book examines the major theoretical perspectives within which 20 th century work on law and film has appeared and analyses the proble of how law films can be classified. It provides a critical review of the work produced to date before proceeding to analyse the general featires and ideologi of law films. Apart from reviewing the way law and lawyers are portrayed in film generally, the book covers areas such asthe use of true stories as the basis for film, the limited portrayals of judges and juries and the role of what we have termed 'invisible lawyers'. In addition, the influence of film noir and particularly private ates is examined along with an analysis of the shifting spaces in which justice is delivered. Film and law concludes by examining future development for film and the law and how its future terrain might be mapped. |
650 | 4 | $a Kebudayaan - Film | |
990 | # | # | $a 00817/MKRI-P/I-2005 |
990 | # | # | $a 00817/MKRI-P/I-2005 |
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